Portrait
Becca
I took this photo in door. I put her near by the window, show it has enough light reflect on her face. I didn't used a tripod. And I picked that spot because it has a yellow door and a orange wall behind her. I want to has some color on this photo.
I took this photo in door. I put her near by the window, show it has enough light reflect on her face. I didn't used a tripod. And I picked that spot because it has a yellow door and a orange wall behind her. I want to has some color on this photo.
Jessica
In the room was very dark. So I ask Jessica to stand near by the window. At that time was very bright outside. The light contract show on her face. I didn't make a level adjustment layer to balance the light. And her hair want fuzzy, I used the clone stamp to hide some of her fuzzy hair.
In the room was very dark. So I ask Jessica to stand near by the window. At that time was very bright outside. The light contract show on her face. I didn't make a level adjustment layer to balance the light. And her hair want fuzzy, I used the clone stamp to hide some of her fuzzy hair.
Original
Feb 21, 2011; 17:54; Bannack; f/18; 1/15; NIKON D3100
Feb 21, 2011; 15:13; Bannack; F/5; 1/400; NIKON D3100
Feb 21, 2011; 15:13; Bannack; F/5; 1/400; NIKON D3100
Reverse Shallow Depth of Field
Focus on Foreground
I thought the fence was a good thing to take a photo. And then I discover the build is right behind the fence. It is good to have a this two thing reverse I thought. I also add a level adjustment level layer to darken a little the photo have have more color.
I thought the fence was a good thing to take a photo. And then I discover the build is right behind the fence. It is good to have a this two thing reverse I thought. I also add a level adjustment level layer to darken a little the photo have have more color.
Focus on background
Feb 21, 2011; 17:31; Bannack; f/7.1; 1/3200; NIKON D3100
Feb 21, 2011; 17:31; Bannack; f/7.1; 1/4000; NIKON D3100
Feb 21, 2011; 17:31; Bannack; f/7.1; 1/4000; NIKON D3100
Action Blur and Freeze
Back to Her Old House (Action Blur)
It was a pretty dark room. But the light come from the door and the gap on the wall. So I need to make the door close and find a spot has less gap. I used a tripod set up the camera. I set the shuttle speed for four second. I ask my model run away after 2 second. i want the light can through my model. That why I asked her leave two second. So she will be more transparent.
It was a pretty dark room. But the light come from the door and the gap on the wall. So I need to make the door close and find a spot has less gap. I used a tripod set up the camera. I set the shuttle speed for four second. I ask my model run away after 2 second. i want the light can through my model. That why I asked her leave two second. So she will be more transparent.
Let the Snow Flow
I ask her kick the snow on the floor. And I set my camera can take several photo in a roll. I set a faster shuttle speed to catch the motion of the snow.
I ask her kick the snow on the floor. And I set my camera can take several photo in a roll. I set a faster shuttle speed to catch the motion of the snow.
Back to Her Old House: Feb 21, 2011; 17:45; Bannack; f/13; 4sec ; NIKON D3100
Feb 21, 2011; 16:07;Bannack; f/22; 5sec; NIKON D3100
Let the Snow Flow: Feb 21, 2011; 14: 42; Bannack; f/5; 1/1250; NIKON D3100
Feb 21, 2011; 14: 42; Bannack; f/5; 1/1250; NIKON D3100
Feb 21, 2011; 14: 42; Bannack; f/5; 1/1250; NIKON D3100
Feb 21, 2011; 16:07;Bannack; f/22; 5sec; NIKON D3100
Let the Snow Flow: Feb 21, 2011; 14: 42; Bannack; f/5; 1/1250; NIKON D3100
Feb 21, 2011; 14: 42; Bannack; f/5; 1/1250; NIKON D3100
Feb 21, 2011; 14: 42; Bannack; f/5; 1/1250; NIKON D3100
Macro Abstract
Old Organ
I took a shallow depth photo of a old Organ and a photo of a wood wall. And then blend them together, the pattern put on the top, and lower the opacity. Then I thought it didn't show the old style enough. So I put a warm brown color layer between this two photo, and lower the opacity.
I took a shallow depth photo of a old Organ and a photo of a wood wall. And then blend them together, the pattern put on the top, and lower the opacity. Then I thought it didn't show the old style enough. So I put a warm brown color layer between this two photo, and lower the opacity.
Pattern: Feb 21, 2011; 12:57; f/5; 1/2000; Nikon D3100
Piano: Feb 21, 2011; 16:09; Bannack; f/4; 1/30; NIKON D3100
Piano: Feb 21, 2011; 16:09; Bannack; f/4; 1/30; NIKON D3100
HDR
Blue Sky
I blend three photos together in the HDR programm. I change the light and the color a little bit. And I chose a color filter call Orton Filter. And also use the sky filter to make the sky vivid.
I blend three photos together in the HDR programm. I change the light and the color a little bit. And I chose a color filter call Orton Filter. And also use the sky filter to make the sky vivid.
Wheel
I took this photo in a pretty dim light room, but has bright light go in. I like this light setting, has the light contract. I edit the photo in HDR pragramm. This time I used a Mysterious Light 4 color filter.
I took this photo in a pretty dim light room, but has bright light go in. I like this light setting, has the light contract. I edit the photo in HDR pragramm. This time I used a Mysterious Light 4 color filter.
Blue Sky: Feb 21, 2011; 15:35; Bannack; f/18; 1/1250; Nikon D3100
Feb 21, 2011; 15:35; Bannack; f/29; 1/4000; Nikon D3100
Feb 21, 2011; 15:35; Bannack; f/11; 1/500; Nikon D3100
Wheel: Feb 21, 2011; 17:31; Bannack; f/4.5; 1/1000; Nikon D3100
Feb 21, 2011; 15:35; Bannack; f/29; 1/4000; Nikon D3100
Feb 21, 2011; 15:35; Bannack; f/11; 1/500; Nikon D3100
Wheel: Feb 21, 2011; 17:31; Bannack; f/4.5; 1/1000; Nikon D3100